I thought I knew lots about designers and manufacturers from the past. I like to think I know my Meakin from my Midwinter, my Cornish Blue from my Willow Pattern but following lots of other vintage has introduced me to a few names I wasn’t familiar with.

imageThe current penchant for Mid Century Scandinavian designs has thrown up the name of Catherine Holm.


Now it turns out – and I hope I’m not the only person to make this mistake – that Catherineholm is actually the name of the factory in Norway, not the name of the designer.  The lady responsible for the enamelware designs is Grete Prytz Kittelsen and apparently the lotus leaf motif was added by another designer, Arne Clausen, and Grete never much cared for it, preferring the plain colours and smooth lines of her pieces to speak for themselves.


Ironic that it’s gone on to be so iconic. It was very popular in America and across Scandinavia in the 50s, 60s and 70s and it crops up regularly on my Instagram feed. I loved the design but had never seen a piece in real life.

Grete Prytz Kittelsen

Until, that is, I made a quick dash into a charity shop in Salisbury when the Dr (my husband) and I were on a little day trip. He is very tolerant of my need to nip into every chazza we wander past, and I do try to be quick, but inevitably he spends much of his life standing outside The British Heart Foundation (in this case) playing Candy Crush on his phone.

I hit the mother lode when I spied this beauty for just £3.99! Have literally never seen another piece of this enamelware and maybe I never will. But for now Grete, I like the lotus leaf design, I’m keeping it. So long and thanks for all the bowls.


It is wth a protective stance I say:

It’s only vintage but I like it!

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